With RICK HOLLAND, JazzRadio247.com, September Issue, 2006
Rick Holland: Thank-you Ramona for taking some time with us and our listeners at JR47. I just wanted to tell you, I’ve been enjoying your new disc, A New Leaf. I think what really captured my attention was the influence of World rhythms that involves your music. Can you share with us how you feel Jazz has cross pollinated into world music?
Ramona Borthwick: That is an interesting question, since this is relatively a more common phenomenon the other way around – world music cross pollinating jazz. Jazz itself might be considered world music in a sense, since its origins can be traced to the synthesis of Afro-European influences. Although my early music education was in western classical music, I grew up in India, a country where traditional and folk music is pretty much part of everyday life. With its regional diversity and profusion of religions, there are festivals occurring monthly if not more often, with music being an integral part of celebration and worship. In such an environment it’s hard not to have cultural influences leak into one’s expression of music, and often it is an unconscious process. So although I didn’t actively study or play traditional Indian music, I was exposed to a fair amount of Indian folk and classical music. And then there were Brazilian and other South American influences that came from listening to music from other parts of the globe. Ultimately, I believe that the best music comes from letting yourself play what needs to be played from inside you, without forcing it, or it can end up sounding contrived especially if you add stylistic elements for the sake of exotic value. The beautiful thing about jazz is how the form accommodates other stylistic elements while still retaining its core style. We are seeing more and more international jazz artists from Europe and other continents, combining native influences into their music in an organic manner.