A few months ago, Rubi Lichauco, my student, obtained the score of Cristal by Cesar Camargo Mariano, a tune she was attracted to when she heard it played by Cesar himself. Here, the original composition for solo piano was adapted for piano and jazz guitar (Noel Borthwick). Despite Rubi’s busy schedule, she has pursued music in more ways than one and it is wonderful to see her commitment and perseverance pay off!

Another video showing a reharmonization of the popular Irish ballad ‘O Danny Boy’ (a.k.a. ‘Londonderry Air’) using techniques such as modifying chord color as well as time/meter changes, inserting chromatic passing chords among others, to enrich a standard tune. (Song starts at 1:05).

(Recorded on an Estonia L-190 using the wonderful Earthworks PM-40 PianoMic system, straight into Cakewalk SONAR X2 Producer. Some very basic mastering was done to add a touch of eq, dynamics and reverb).

Roughly about a year and a half ago, I decided to start a search for a grand piano. Aside from several local stores & dealers in the Boston area, my area of exploration extended to out of state New Hampshire, Connecticut & New York businesses as well. Adding to this were helpful friends, local musicians, teachers and piano technicians – willing accomplices in my search, who would inform me of a potential instrument if it appeared on their horizon. (Thanks to Victor Belanger, whose largesse included cheerful and complete responses to my many technical queries). And of course Craigslist, which can be a bit of a wild card, but worth a try nevertheless. To find the ‘perfect’ instrument would be complicated, as perfection is elusive, but my checklist was tangible.

  • Size: between 5’8” – 6’8”, preferably larger than 6′
  • Manufactured after 1950, it’s age preferably 5-20 years, requiring little or no major repair or maintenance for the next 20 years
  • Width not greater than 61” or else it wouldn’t fit through the studio entryway. (The concrete bulkhead could be modified, but I wasn’t prepared to undergo a demolition to accommodate a piano)
  • Deep, warm, rich sound, with notes in the upper and lower extremities that you’d actually want to play and not shy away from
  • It would serve well for both classical as well as jazz repertoire
  • Suited to my budget, which would place it somewhere in the mid-level range of pianos
  • This one a phantom stipulation but of great importance – a piano that would inspire my creativity and compositional flow

Almost all research was done on the internet – piano companies, model specifications, dealers, customer reviews, Larry Fine’s The Piano Book, and browsing through piano forums. Among the stores visited were Darrells Music Hall (Nashua, NH), Londonderry Piano (Salem, NH), Steinerts, Boston Organ & Pianos (Natick, MA) & Allegro Pianos (Stamford, CT).

My early search started with Steinways in mind – not the new pianos – despite the revered name and surrounding hype, I wasn’t enamoured with the sound or price, Continue reading

Ramona Borthwick - One Of Us
One Of Us

Am excited to announce the release of my new CD ‘One Of Us’. The music on this project is reflective of personal experiences, and is dedicated to our wonderful planet Earth, who in all her graciousness has been sustaining us forever. The CD comprises ten original compositions that were recorded last summer with some amazing players – Ingrid Jensen (tpt), Noel Borthwick (gtr), Johannes Weidenmueller (b) & Adam Cruz (dr). Most of the tunes were written specifically for this project over a period of a few months, some of them especially with the musicians in mind. Some info on the musicians: Ingrid Jensen, a multifaceted player and one of the leading voices on the trumpet, brings her trademark fire, energy and lyricism to this project. Noel Borthwick, gifted guitarist, Cakewalk CTO and producer of this project, lent his distinctive sound to the music, and was the hardest to book for this recording 🙂 Johannes Weidenmuller, a highly sought after bass player on the New York scene, was an integral member of the Kenny Werner trio for many years and also worked with John Abercrombie, Joe Lovano, John Scofield and innumerable others. Drummer Adam Cruz a regular with Danilo Perez, has played with David Sanchez, Tom Harrell, Chris Potter, Paquito D’Rivera, and recorded with Chick Corea (Origin). Continue reading

My upcoming quintet CD has been sent to mastering, whew! (It was recorded last summer in NY). Being witness to another series of mixing sessions was a great learning process for me – not entirely fun I admit – my respect & admiration for all the sound engineers out there has grown infinitely 🙂 Dan and Noel did a great job, and I can’t wait to hear the finished result. Have just started on the artwork for the CD digipak – should be interesting. Will keep you posted on how things are moving.

Hookah Menu at Tony da Dhaba

I’d mostly seen this ancient pipe being used by people in Indian villages, but it appears that it is a trend gaining popularity among college students in urban areas today. Hookahs are widely being offered in cafes and restaurants in Indian cities, with the tobacco offered in an assortment of flavors. Students come in groups and sit for hours peacefully gurgling communal pipes in casual surroundings. Here’s a hookah menu hanging at a popular ‘dhaba’ restaurant on the outskirts of Bombay. (This place also served served ’emu tikka’ btw).

Incidentally, one of my upcoming performances (20th November) will be at a restaurant in Pune called the Shisha Jazz Cafe, ‘shisha’ being a common term for the hookah in the Middle East. For reservations call 20-65200390.