April 28th, 2010, SoundContest Magazine Interview
Redattore: Maurizio Spennato
[Tranlation in English below]
Sound Contest: Ciao Ramona, grazie per aver accettato la nostra intervista per i lettori di Sound Contest. C’e’ qualcosa di nuovo – aria nuova – in questo tuo ultimo CD, One Of Us… una palpabile maturazione delle tue composizioni…
Ramona Borthwick: Grazie a voi. E’ stato molto piacevole scrivere questa musica, ed io sono sempre impaziente di riascoltare i risultati delle registrazioni con la band in studio. Parlando poi di maturita’ – spero che sia una buona cosa (ride) – immagino che il trascorrere del tempo mi abbia rilassato nell’accettare il jazz come un approccio piuttosto che uno specifico genere o stile. E’ come essere autorizzati ad infondere idee da frontiere esterne al jazz, le cui possibilita’ possono essere illimitate. La musica del nuovo CD e scritta per un quintetto, ma richiederebbe un numero maggiore degli strumenti per suonarla, quindi e’ l’uso della voce e delle sovrapposizioni di diverse parti di tromba e chitarra che a volte fanno suonare il quintetto, per cosi’ dire, come una “piccola big band”. Continue reading
Couple of video clips from the CD release concert last month.
By JOEL HURD, April 2010
- North Country Public Radio: Interview Ramona Borthwick 7:30
By VANGELIS ARAGIANNIS, Jazz & Tzaz, Greece | Issue #204, March 2010
[Jazz&Tzaz – View PDF]
Daughter of famous Bollywood composer Enoch Daniels, pianist Ramona Borthwick took her first musical steps in Bombay and there, along with husband, guitarist Noel Borthwick, recorded “Sound Matters” precisely 20 years ago, one of the first recordings of contemporary jazz in India. She later moved to Boston, where parallel to music, she got involved with graphic and web design.
“One Of Us” is her second album and continues to be based on the same artistic blend of swing and lyricism which was present in her debut album in 2006 (“A New Leaf”). Ramona has the ability to match difficult rhythms and melodies, and builds a complex mosaic of components found in modern jazz, European music, sometimes in the Indian tradition and often in Latin, especially when accompanied by the piano with flexible vocal phonetics. The rare gift of being an equally good pianist, singer and songwriter, makes a difference to a degree that can hardly go unnoticed.
Aesthetically there seem to be no boundaries, and she has no problem transitioning from an acoustic environment (the romantic “One Of Us”) to an electric Fender Rhodes (as in the modal “Resident Alien”), or in the introduction of the Eastern “Gaia” and the constant changes of “Chinese Whispers”,
with the cheerful Latin “Rio Alegre” closing the album. All the musicians have played brilliantly, the band comprising Noel Borthwick on guitar, Ingrid Jensen on trumpet and flugelhorm, Johannes Weidenmueller on bass and Adam Cruz on drums.
By IAN PATTERSON, AAJ | February 03, 2010
Pianist Ramona Borthwick is nothing if not generous—offering up over seventy minutes of quality music on this, her second recording as leader. That the music is constantly arresting is testament to the quality of the arrangements and, in equal measure, to the virtuosity displayed by her quintet.
In effect, the quintet becomes at times a sextet as Borthwick employs her voice like an additional wind instrument to wonderful effect, adding rich harmonic and melodic tones to the music. Blending her voice with the guitar lines of Noel Borthwick or the trumpet/flugelhorn of Ingrid Jensen, she creates quite beautiful harmonies. Continue reading
ONE OF US | Ramona Borthwick, Leitmotif 2010
By RAUL d’GAMA ROSE, Editor, AAJ | January 17, 2010
The wonderful music of One of Us dwells on the interconnection of all things. Pianist Ramona Borthwick and her quartet make this happen on two important levels. First, they play from the same script as if they had studied the pages and came to make each their own in a very special and individual way. Second, there is a seamless connection between each of the songs and the quartet’s leader; Borthwick brings her considerable talent in weaving everything together with a secret gossamer thread. Both of these attributes speak volumes about the sensitivity with which each of the musicians handles the considerably—sometimes dense—material.
Ramona Borthwick proves that there is some depth among younger composers. Her bright work is agape at the immensity of all things. It appears that she looks at the world with childlike wonder, but is also privy to the true and deep nature of what she sees. This is reflected in the fluidity and the exquisite allure that is woven through each melody. Borthwick also leads and inspires colorful and artful harmonic invention throughout. She has a willing ally in trumpeter/flugelhornist Ingrid Jensen, whose memorable work here is absolutely magnificent; she plays each note as if it were her last. The result is solos like the music of dew on leaves—pristine, and each ringing with priceless wonderment. Continue reading
“One Of Us” has received radio play at several stations in the last few weeks- many thanks to the radio stations & hosts for their support and broadcast of the music.
Am excited to announce the release of my new CD ‘One Of Us’. The music on this project is reflective of personal experiences, and is dedicated to our wonderful planet Earth, who in all her graciousness has been sustaining us forever. The CD comprises ten original compositions that were recorded last summer with some amazing players – Ingrid Jensen (tpt), Noel Borthwick (gtr), Johannes Weidenmueller (b) & Adam Cruz (dr). Most of the tunes were written specifically for this project over a period of a few months, some of them especially with the musicians in mind. Some info on the musicians: Ingrid Jensen, a multifaceted player and one of the leading voices on the trumpet, brings her trademark fire, energy and lyricism to this project. Noel Borthwick, gifted guitarist, Cakewalk CTO and producer of this project, lent his distinctive sound to the music, and was the hardest to book for this recording 🙂 Johannes Weidenmuller, a highly sought after bass player on the New York scene, was an integral member of the Kenny Werner trio for many years and also worked with John Abercrombie, Joe Lovano, John Scofield and innumerable others. Drummer Adam Cruz a regular with Danilo Perez, has played with David Sanchez, Tom Harrell, Chris Potter, Paquito D’Rivera, and recorded with Chick Corea (Origin). Continue reading
Some enjoyable (and informative) reading on the trials and joys of producing a CD at Minidump. These production notes on the creative/production timeline of the CD ‘One Of Us’, were written by Noel and reference a gamut of topics ranging from the project’s ‘Conception’ to ‘Delivery’. Methinks it feels pretty darn close to a birthing process, labor included 🙂
Long time pending and I’m glad it’s finally done – in anticipation of the upcoming CD release, this website has been through a makeover and went live this weekend! Newer pictures of an older me 🙂
My upcoming quintet CD has been sent to mastering, whew! (It was recorded last summer in NY). Being witness to another series of mixing sessions was a great learning process for me – not entirely fun I admit – my respect & admiration for all the sound engineers out there has grown infinitely 🙂 Dan and Noel did a great job, and I can’t wait to hear the finished result. Have just started on the artwork for the CD digipak – should be interesting. Will keep you posted on how things are moving.
Just watched a rare & rich documentary that explores the art & science of music from every possible angle. PBS’ “The Music Instinct: Science and Song,” rambles intricately through topics such as anthropology, neurobiology, psychology, physics and more, presenting these concepts through demonstrations and recordings of musicians, including a cockatoo hip to rhythm. It was wonderful to hear scientific researchers talk about the social and emotional aspects of music and how these are decidedly meshed with science. Regardless of whether one is a musician or not, it explains why we feel a primal neccessity to experience and create music within ourselves and with others. And the black hole that sings (ok, ‘drones’ may be a better choice of a word) at a Bb pitch, 57 octaves below the middle C. Try and catch this one of a kind documentary on PBS if you can, or rent or buy the DVD – it’s totally worth it.
From the Discover blog: Why do songs get stuck in our heads?
Having a song, tune, or commercial jingle stuck in one’s head is a phenomenon known as having an earworm. Most people have had an earworm at one time. The experience is harmless and unrelated to both obsessive-compulsive disorder and endomusia, the hearing of music that is not really there. Certain songs—simple, repetitive, or oddly incongruous—have properties that act as mental mosquito bites in that they produce a cognitive “itch.” The condition also arises when people struggle to remember forgotten lyrics or how a song ends. To scratch a cognitive itch, the brain repeats the song, which then traps the hapless victim in a repeated cycle of itching and scratching. Everyone has his or her own list of demon tunes that haunt. Earworms occur more often among women, musicians, and individuals who tend to worry. (OK, so that makes my brain a perfect haven for earworms). Earworms also vary across situations, striking when people are tired or under stress. How can you make an earworm go away? Thinking of something else or actually listening to the song in question are thought to help, but there is presently no research evidence showing what works best. Fortunately, most episodes eventually dissipate on their own.
I recently got back in touch with an ex-student of mine. Nicolitta, a teenager then, was gifted with facile technique, her performance bolstered by many years of practice and attention to detail while studying advanced works by the likes of Bach and Bartok. I recall visiting her leafy cottage in Bandra, and after a piano session over the obligatory cup of tea and snacks, watched her kickstart an old Bullet motorbike and take a cautious ride in the crowded, narrow winding lanes outside her house. That was the first time I glimpsed the hidden spitfire in her. In time, we parted. I moved to Canada, she went on to use her seamstress skills designing bridal wear and garments for export. Continue reading